Remember my art installation Earth Blanket exhibited as part of The Biennale of Australian Art (BOAA)? Well it has now been accepted into the North Sydney Art Prize – which is great…. but now how to get it there! What was I thinking – haha….
I also have an artwork on display, Symbiotic, at the Post Office Gallery in Central Ballarat as part of the annual Ballarat Arts Foundation Alumni Exhibition. The exhibition runs through till the end of the week, so if you are in or around Ballarat there are some great artworks to see – plus there is a peoples choice award – nudge nudge wink wink 🙂
My latest acrylic pouring painting was my best yet, with lots of cell development in different sizes and good colour formation – very happy with this effort, and will be having another go with the same colours and pouring medium – the trick though is getting the consistency of the paint correct….
The painting was created over the top of another painting I was not a fan of … I didn’t gesso the canvas, so we shall see – so far so good! I used the flip cup method, and just look at the colours in the cup! Looks good enough to eat…
That’s it for today – hope to see you next week 🙂
Sorry for the absence of late! Followers may know I have opened a shop in Central Ballarat which consumes a huge amount of my time. On top of that, currently an event – the Biennale of Australian Art – is happening in Ballarat, and I have work on show… which means I had to create it … which also took a huge amount of time, though pleasurable 🙂
My artwork, Earth Blanket, is a ceramic installation comprised of over 20 individual pieces sited at Lake Wendouree as part of the Lakeside Sculpture Work, a component of the Biennale. In total there are 36 sculptures installed around the lake from around Australia.
During the making of the art I wanted to create blog posts documenting the progress, but just kept running out of time, or was too exhausted! So, here we are in hindsight – keep scrolling for pics and videos 🙂
Throwing the enclosed forms:
Manipulating the freshly thrown orbs:
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The process by which I alter my wheelthrown spheres and turn them into little organic sculptures … 65 made , 200 to go! . . . . . . #boaaart2018 #boaa #boaaartist #sculpture #ceramicsvideo #ceramicsculpure #potteryvideos #ballaratcreatives #pottery #clay #potterylove #claylife #wip #workinprogress
Opening the glaze kiln:
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The scary part – opening the kiln! Pheww…. it worked! 👏👏 Preview of the textures for my ceramic installation in the @biennaleofaustralianart starting 21st September . . . . . #boaaart2018 #boaaartist #boaa #boaa2018 #ballarat #ballaratart #ballaratartist #australianceramics #australianartist #ceramics
The concept of the artwork is to trigger a re-connection to the Earth via an organic contemplation within the environment using a medium which is of the Earth herself – clay. It is only through a re-awareness of humanities symbiotic relationship to the Earth that we can stop consuming her and begin living with her.
I was very happy with my site at the lake; the site being an important conduit to delivering the artwork’s message.
BOAA is well worth a visit if you are in or near the Ballarat area – in fact it is worth planning a visit even if you are not! Besides the sculpture walk there are also lots of solo and group exhibitions, performances, music and much more happening, with a combination of both free and ticketed events. And there is plenty of time to visit as the biennale runs till November 6th 2018. You can check out the program on the BOAA WEBSITE.
Stay tuned for a post showcasing the fab works of the Sculpture Walk!
Last week I facilitated a pit firing workshop for a community project which is part of a group exhibition commemorating the work of Landscape designer Edna Walling. One of the exhibiting artists Heather Hesterman is creating an installation consisting of ceramic pinch pots en masse and plants referencing Walling’s love of constructing gardens. The pots have been made by Hesterman’s friends, acquaintances and members of the community, both adults and children, coming together to make approximately 300 palm sized pots.
During Hesterman’s research for the project she discovered an anecdote found in Walling’s writings, indicating Walling’s joy of witnessing a friend hand-build a small pot from clay, fire it and then fill it with the local native plant species, Thomasia petalocalyx. This event together with ‘The Chalet’, which Walling had built along the Great Ocean Road, being burnt down, along with 2 other residences, inspired Hesterman’s methodology in developing the installation.
Part of that methodology involved the firing of the clay pots made during the project – enter a pit firing! As regular readers may know usually when I pit fire I add lots of varying organic ingredients and wrap the pots in seaweed, gum leaves, copper wire and the like. This endows the finished pots with a vibrant dappled colour response. Hesterman, however, wanted the smoky greys and blacks of fire to be captured on the pot surfaces, so the pit was fired using only sawdust. The sawdust creates a higher likelihood of a reduction atmosphere in the pit allowing for carbonisation of the clay surface.
The firing was successful overall with results ranging from soft smoky greys through to strong oil slick blacks.
Lisa Byrne, Director of ArtSpace at Realm, Maroondah City Council, is curating a group exhibition The Creative Legacy of Edna Walling. The exhibition commemorates the work of Landscape designer Edna Walling with artists Heather Hesterman, Rebecca Mayo and landscape designer/construction Sam Cox.
The exhibition will be held at the gallery ArtSpace at Realm, Ringwood Town Square, 179 Maroondah Highway, Ringwood. 03 92984553, 19 Sept – 13 Nov 2017, with the official opening on Saturday 21 October 2-4pm.
More information can be round on the website artsinmaroondah.com.au
And now enjoy the pics of the sawdust firing process 🙂
As readers may know from previous POSTS I have been working on a new body of work, including sculptural ceramics and photography, which is now on exhibition at ContainArt till February 16th. The container is currently on location at Weerama Part, Wendouree.
The exhibition was inspired by the Scotsburn Bushfires, which I have also posted about before – both the experience on the day and Bushfire Relief Arts Program I was involved with in the following months.
I have friends who live in Scotsburn (and almost lost their home and business) and I know of others who did lose their homes. On the day of the fires I stood on my property watching the smoke and water bombers flying over, so it was very dramatic.
Approximately a week after the fires, which destroyed 4000 hectares, 12 homes and 23 sheds, I visited the site and drove through the area extensively following the path of the fire. I took many pictures and have a comprehensive documentary of the immediate aftermath with the intention of developing a body of work to reflect the fires and comment on the climate (political and environmental) which has contributed to the severe bushfires Australia is experiencing on a more regular basis.
The opportunity serendipitously arose to hold an exhibition in ContainArt just a little after the twelve month anniversary of the event, providing a great chance to commemorate the fires.
All of the works are, of course, for sale, simply send me a message to begin the discussion 🙂
Following is the ‘Artist Statement’ for the exhibition and some images…
Artist Statement – Dawn Whitehand – After the Fire
As a person I feel deeply saddened about the natural environment and the harmful effect the human race has inflicted upon Mother Earth.
As an artist I feel a duty to bring these issues to the attention of the general public via a visual interpretation of the climate dilemmas currently perplexing our global society.
A little over a year ago the effects of global warming were brought into stark reality when the town of Scotsburn and surrounds, on the outskirts of Ballarat, experienced fires that raged out of control on the 19th December 2015. The fire, once started was fuelled by dry conditions, extreme heat and high winds, which combined to form the perfect storm of environmental conditions.
At the time I witnessed the billowing smoke from my property, and having close friends in the area I was watching and worried. Thankfully my friends remained safe, as was their property. Others were not so fortunate.
A week later I undertook an extensive tour throughout the entire route of the fire, documenting the physical effect of the tragic event on the environment. During the following months I worked with the local community conducting art workshops as part of the Scotsburn Bushfire Relief Project.
This current body of work presents a series of documentary photographs and interpretive ceramic sculptures which respond to the colours, shapes and textures of the event, that also hopefully, evoke an emotive outcome within the viewer that raises questions about their personal and communal responsiveness toward the environment, and their role within the wider global context.
A little after a year later I revisited Scotsburn and the abundance of regrowth is majestic – Mother Nature healing both the local community and her natural environment.
By presenting a display commemorating the Scotsburn fires in the context of “urban Ballarat” I am hoping to make this seemingly physically remote event more immediate & real.
Overall images of ContainArt:
Images of individual windows:
Regular readers will know one of my ceramic sculptures was recently accepted into the biennial Manningham Victorian Ceramic Art Award, an award that has become a fixture on the ceramic awards calendar in recent years, The award is open to all Victorian artists, and spans functional ceramics through to sculptural and conceptual works, as long as the main medium used is clay.
The exhibition opening was held on Wednesday evening at the Mannigham Art Gallery in Doncaster, so now I can reveal my sculpture and give you a bit of information about the conceptual underpinnings of the piece.
So what is this artwork actually about?
I’m glad you asked…here’s my Artist Statement:
Much of the artwork I create addresses environmental issues, sustainability and the need for humanity to reconnect to the Earth and realise their symbiotic relationship with the landscape.
Landscape 1 is the first in a series of sculptural artworks that capture this ethic in both the making process and the finished form.
The sculpture was press moulded in two halves using the polystyrene end packaging of a radiator heater. Polystyrene is especially bad for the environment in its manufacturing process and in that it doesn’t break down and so remains a permanent waste product.
With some creative thinking, however, this material can be used to model artworks or can be turned into artworks itself.
The surface of Landscape 1 is achieved through pit firing, a method of firing ceramics in the ground using organic materials to achieve the mottled coloured surface. When pit firing I only use materials which are found on the ground – old branches, sticks, pine cones, cow dung and leaves.
Given the fragile state of the future environment this method of firing is also a sustainable way of finishing sculptural and decorative ceramics
The exhibition runs until the 29th August and there are some fantastic ceramic artworks to see, and buy, from over fifty Victorian artists, emerging through to established. So if you are in or near the area it is definitely worth a visit.
Below are some images from opening night….enjoy 🙂
Happy Friday People – yes its the weekend!
I thought I would share some exhibitions I am involved in at the moment so you can experience them vicariously or if you are living or visiting near the venues, you can check out the exhibitions yourself.
Currently I have three brooches in the annual Contemporary Art Society of Victoria brooch show. This is a juried show and all brooches had to be within 10 cm x 5 cm overall dimensions and 3 cm in depth. I entered three brooches for selection and all were accepted. My brooches are made from upcycled materials – buttons, beads and guitar strings. The exhibition runs from over two locations with opportunities to try and buy…. check out their website for more info.
Beginning tomorrow is an exhibition being held in conjunction with the Australian Ceramics Triennale. Belonging is an exhibition of over 140 members of the Australian Ceramics Association, and again, the works were limited to a certain size — 15x15x15cm. The exhibition includes sculptural, functional and conceptual ceramics. Again, this was a juried exhibition and my entry is a wheelthrown organic form which has been manipulated and glazed to create a textural surface. The exhibition runs until 11th July and opening night is 9th July. I am hoping to get to Canberra to have a look, but probably won’t make opening night.
Finally I had an artwork accepted into the Manningham Victorian Ceramic Art Award, a biennial award open to Victorian ceramicists showcasing contemporary studio pottery. I submitted my piece as a work in progress as I had not yet pit fired it, which I did last weekend, and luckily it was selected. I entered a handbuilt slab sculpture, burnished and pit fired. The picture below shows it straight from the pit – it has not been polished as yet. Polishing will deepen the colour and enhance the visual tactile qualities of the surface. This exhibition runs from the 15th July (opening night) until the 29th August at the Manningham Art Gallery in Doncaster.
So, if you are near any of these areas the exhibitions are well worth a visit, and you may even find that you buy yourself a nice piece of art!
Today I was not actually in the studio, I was participating in the Golden Plains Arts Trail, purely by chance.
I was in a group exhibition a few years ago for the Arts Trail, but this year decided not to join in, but then a friend who was opening her studio for the weekend event had a last minute commitment elsewhere on the Sunday so needed someone to babysit – and that was me! So I took along some sculpture to display in her garden.
This friend is Julie Collins, who, in collaboration with her husband, makes fantastic large scale sculptures which you can see on their website.
The Arts Trail is an annual event held in the Golden Plains Shire in Central Victoria which showcases local artists who participate by opening their studios to the public or by staging solo or group exhibitions at various venues throughout the shire. Members of the public obtain a map of all the locations from places such as tourist information centres or galleries, and visit artists over a weekend…. it is a great success and many people specifically come to the region especially for the event.
The sculptures I displayed for the day are all ceramic and are wheelthrown and manipulated while still soft to form organic shapes. The pieces are finished in textured glazes that highlight the natural forms….. here are some pictures 🙂 Have a great day!
Brainchild of Niki Lakerink, Collidescope Art Meets Fashion began as Niki noticed the use of well known traditional artists, such as Mondrian and Picasso, on garments parading the European catwalks. An artist herself with a strong interest in fashion, Niki was also frustrated over the lack of sales and recognition within the regional art-scene. These two seeds cross pollinated and germinated into the Collidescope project. Coincidentally Melbourne Fashion Week was four months away, which gave Niki a target date to begin the process of bringing the concept together.
The project paired regional artists and designers together, inspiring them to work collaboratively to produce garments to be featured in a fashion parade event in Ballarat to coincide with Fashion Week. Thee were also designers drawn in to create accessories for some of the outfits – jewellery, millinery and bags.
After a hectic four months of setting up websites, Facebook pages and Twitter accounts, sourcing funding via council, arts bodies and a crowdfunding campaign, and organising fabric and printers the collaborative teams successfully completed their design briefs and the catwalk fashion parade was launched on the 21st February at the Mechanics Institute in central Ballarat. Niki also secured a partnership with Virgin Australia Melbourne Fashion Week (VAMFF) enabling the project to leverage some promotional muscle.
There were three sessions of the fashion parade accompanied by the VAMFF short film series. The sessions were extremely well attended, including council dignitaries and senior representatives from Regional Arts Victoria and the Arts Council of Australia. The feedback was fantastic as seen in this After Party Video filmed by Augustus Firestone for his Visual Feasts YouTube Channel.
Footage of the catwalk can be seen on Niki’s YouTube channel also filmed by Augustus Firestone.
But the project didn’t stop there!
The success of the catwalk fashion parade has been followed up by an exhibition of a selection of the garments and some of the original artworks behind the garment inspiration. The exhibition is currently at Wolveschildren Art Space and continues through to the 8th March. The garments look great in the gallery setting providing an ideal opportunity to see the fabrics and designs close up. It is also fantastic to see some of the original artworks that inspired the collaborations. Images of the garments and artworks can be seen in the picture gallery below.
But wait there’s more!
This coming weekend is the annual Begonia Festival in Ballarat, and Niki has secured a place in the program of events – a catwalk fashion parade being held on Monday 9th March at 2pm. The parade is on the main stage and is a free event.
For more information bout the collaboration teams visit the Collidescope website.
Congratulations to Niki and the team for an initiative unlike anything seen in Ballarat before!
So, what’s next?
Based on the huge success of this event Niki is planning to continue this project annually in Ballarat to showcase regional local art and design talent. She is also organising a small group of the collaboration teams to design a full range to be launched at the September City of Melbourne Spring Fashion Week.
Oh, and did I mention that I designed the jewellery for one of the garments? The Ballarat Print designed by Niki’s son Thurston features a digital photography mash up of Ballarat heritage and modern buildings printed in a block design. The fabric is very architectural in inspiration so I designed a jewellery set capturing an industrial architectural feel. It was modelled by Deborah Klein and looked fantastic.
And below are images of the garments and original works currently on exhibition at Wolveschildren Art Space.
So, you probably already know by now that I am participating in a challenge on Facebook where potters are asked to post three pot pictures for five days and also nominate another to do the same each day – and I am also sharing these pictures with my wordpress readers – that’s you 🙂
I have been taking a nostalgic approach to this challenge and have been sharing pictures that reflect my development over the years… from my early self taught days through to my Honours Year at Uni. This journey, I think, shows the development of my work over the years, but also illustrates the basis of my major influence – the natural environment. These posts show a movement from functional ceramic wares through to abstract sculptural ceramics while still capturing nature and all she has to offer, and in later work, what is in danger of being lost.
Today’s images feature my PhD works– 2005-9. The title of my PhD was Sacred Space in Contemporary Society: the Artist as Sharman, and can be downloaded and read HERE. This thesis was a natural progression from my Honours thesis which questioned the role of ceramics in the 21st Century. My PhD thesis asserted that sculptural ceramics installed in the natural environment – an installation – could act as a conduit reconnecting humanity to the Earth – an act that is required if we are to stop using & exploiting the environment. The research was framed within a feminist framework, exploring the patriarchy that has allowed the unstemmed growth of capitalism and exploitation. In this context the artwork was developed to sit within the landscape, not overpower and dominate, as does much modern patriarchal sculpture.
You can check out my original post on my Facebook page, and even follow me if you like what you see 🙂
Until my final post tomorrow….
This weeks Sunday Studio Visit is a little belated because I wasn’t actually in the studio – I was in Canberra, the Australian capital!! I had never actually been to Canberra before, so was pretty keen to see parliament house the National Gallery and anything else in between- so lets put the road trip down to professional development!
One thing I did do before leaving was to make sure my Arts Party- Founding member sticker was on my car!! The Arts Party is the latest political Party to be registered …. I have always been very political (vegetarian feminist socialist – yikes, what a combination!) yet this is the first time I have ever been a financial member of a party!! AND I certainly wanted to spread the message in the nations capital!
The main reason, however, for the sojourn was to visit the National Gallery (NGA) where an Arthur Boyd exhibition is currently being held entitled Agony and Ecstasy. Arthur Boyd is an iconic Australian artist who came from an iconic Australian artist family – his father, Merric Boyd, is known as the ‘father’ of studio pottery in Australia. While Arthur did do some ceramic work, his main medium was painting.
I love his work! For some it can be dark and depressing, however, for me it is the expression and acknowledgement of this futility which ironically suggests hope via a working through of emotions and ideas. For those familiar with my poetry blog you will know what I mean 🙂 The exhibition was fantastic and I am glad I went… seeing original art is certainly different to viewing images in a book!! Of course, pictures are not allowed to be taken of artworks within galleries, however, the NGA also has an outdoor sculpture garden, so I was able to take plenty of pictures in the garden!