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Sunday Studio Visit – Exhibitions & More Acrylic Pouring

Happy Sunday!

Remember my art installation Earth Blanket exhibited as part of The Biennale of Australian Art (BOAA)? Well it has now been accepted into the North Sydney Art Prize – which is great…. but now how to get it there! What was I thinking – haha….

I also have an artwork on display, Symbiotic, at the Post Office Gallery in Central Ballarat as part of the annual Ballarat Arts Foundation Alumni Exhibition. The exhibition runs through till the end of the week, so if you are in or around Ballarat there are some great artworks to see – plus there is a peoples choice award – nudge nudge wink wink 🙂

My latest acrylic pouring painting was my best yet, with lots of cell development in different sizes and good colour formation – very happy with this effort, and will be having another go with the same colours and pouring medium – the trick though is getting the consistency of the paint correct….
The painting was created over the top of another painting I was not a fan of … I didn’t gesso the canvas, so we shall see – so far so good! I used the flip cup method, and just look at the colours in the cup! Looks good enough to eat…

That’s it for today – hope to see you next week 🙂

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Sunday Studio Visit – Experimenting with Fluid Art : Acrylic Pouring

Since my first post about acrylic pouring a few months ago I have had another few plays with the technique and it is quite a fun spontaneous method. As you experiment more there is a certain amount of predictability to it – the colours you choose, the order that you layer your colours, things like that – but once it is on the canvas the paint takes on a life of its own. In this way it is a bit like pottery – you can control the form you make, apply your precisely measured glaze design and recipe, but once in the kiln the flame will take over and the kiln goddess will have her way!

Previously I have experimented with flip cups* and dirty pours*, so this time I thought I would try a couple of different methods I have seen while losing hours to You-Tube!!

Firstly I tried pouring from a jug in which I layered my paints. I poured in a circular motion onto a larger canvas … I videoed it, but have just a screenshot of what it looked like, because I can’t upload a video directly to WordPress and I don’t have it posted somewhere else to add via URL – anyway the screenshot gives you the idea (I hope). The pic next to it is the end result after some titling.

Next I lined up three toilet rolls and poured my paint into them directly on the canvas. Again, I can’t show the video, put a still pic, and the end result…. I enjoyed this method, and it is a good way to cover a more rectangular canvas.

Finally I did a colander pour! it was a fun method, and I will definitely try it again now that I know – sort of – what to expect! Finally I can show you a video of this as I posted it on my Instagram page. Watch the vid, then keep scrolling to see the final painting.

Dawn Whitehand - acrylic pouring

Acrylic pouring can be challenging in that you are pouring – usually – from a circular object onto a square canvas so that it can be hard to reach the corners without losing the integrity of the pour and “cells”. To counter this I tried pouring a little paint on the corners and then blowing through a straw so that the paint would flow and blend with the other colours resulting in a more integrated effect and not just a blob of paint in the corner – I think it worked quite well.

*Dirty Pour – different coloured paints are layered into a cup and poured onto the canvas.
*Flip Cup – different coloured paints are layered into a cup and flipped onto the canvas.

Sunday Studio Visit – Elaborate Doodling!

As promised I am going to attempt to keep up the Sunday Studio visit blog posts at the very least! So today I will share with you an elaborate doodle that took me a few drawing sessions to finish.

I have been having fun subscribing to Scrawlbox, a subscriber art supplies box of goodies that I receive every month. I began this as a way to prompt me at least once a month to create an artwork, because I have been so overrun with the shop.

I hadn’t received my October box as yet (and still haven’t, so they are generously sending a replacement box – good old Australia Post), so I decided to create a doodle using the alcohol based markers I received in a previous box. I didn’t have any marker paper so just used my visual journal, but I didn’t mind because I wanted to retain the intensity of the individual colours in the doodle anyway (IE – I didn’t mind that I couldn’t blend the colours).

I was happy with the result, and my son loved it so much he wants me to get it printed on fabric and make a shirt for him – or get someone else to make a shirt for him! So that was nice 🙂

I still haven’t received that October box so today I have began a watercolour painting of Peeps, my shopdog, also using supplies from a previous Scrawlbox – this time a watercolour palette. I  have finished the sketch and layed down some colour, which I will continue tomorrow and during the week. I will finish with some finer detail – fur, etc – using some watercolour pencils which I already have in my art supplies collection.

So that’s it for today’s studio visit – see you next week 🙂

 

Sunday Studio Visit – More Coffee Mugs!

Its been AGES since my last Sunday Studio Visit post, mostly due to the shop I am now running in Central Ballarat, but I am hoping to get myself back into the habit – so here we go!

I had another custom order for coffee mugs recently, and so as usual made more than I needed – just in case. The order was for two, so I made six. They all bisque fired with no problem, so I glazed four blue and did the others in red – they all turned out great! Peeps (my studio dog) did a great job supervising!

The clay is Feeney’s BRT (Buff Raku Trachyte). It is a groggy clay which, when fired to 1300c displays a gorgeous dark speckle which can sparkle in the light. This is caused by the particles of trachyte. This speckle shows through the glaze and in very ‘on point’ at the moment!

Though groggy, I have found that throwing with it quite soft makes centring faster and easier so it is quite do-able for average sized tableware. You can see me throwing a vase in a previous post HERE

I began using this clay years ago for my wheelthrown sculpture during my PhD but was not using glaze on it at this point as i wanted to feature the surface of the clay :

But for tableware the clay looks gorgeous glazed. The above mugs had underglaze applied inside and half on the outside with a clear glaze applied to cover the underglaze. The bottom half of the mugs on the outside are not glazed to feature the raw clay.

And on that note, I will leave you with a video of the glazing process 🙂

Pottery Coffee Mugs and Pots!

Its been a while since I’ve been on the wheel, apart from demonstrating in classes – mainly because I am so busy with classes.

Regular readers may know that last October I moved my home studio into a shop in Ballarat Central. This means I have increased my pottery classes, have introduced mosaic classes, and have also invited guest artists to run workshops. As well there are also art supplies, an exhibition space and locally made giftware. All this adds up to a very busy routine.

A little while ago, however, I received an order for some mugs, so this provided a need and some inspiration to jump back on the wheel. The order was for mugs made from BRT clay, so I conditioned a bag to make it nice and soft for fast centring and jumped in the saddle.

The order was for four mugs, so I made twelve – you never know what the kiln gods will do! Besides, I wanted a set for the shop, and I fancied one for myself.

I threw the mugs in one throwing session and finished with a tall cylinder vase using approximately 1.8kg clay, leaving it on the wheelhead to dry. I was quite happy with the result, so a few days later I threw another vase using 2.1kg of BRT clay, which you can watch in the video below.

Next I will have a go with 3kg of clay, so stay tuned!

Finally ….. An Arty Weekend.

As some of you may have noticed I haven’t posted on this blog for months!! This is because I opened a shop in Central Ballarat where I am teaching pottery classes amongst other things.

Regular readers may know that I taught for years from my home studio which had been renovated and even extended…. but I kept outgrowing it. So in October I moved the whole shebang to the shop/studio and have been flat out ever since. The shop’s window display features locally made giftware, there is an exhibition space, art and pottery supplies, casual studio space hire, kiln service, and classes by myself and other guest artists…. you can check everything out on the ClayMotion website.

Even my weekends have been taken up lately with preserving all the goodies from our garden.

Dawn Whitehand preserving

But this weekend I decided to get back into a bit of art. One of the guest artists this month is running some acrylic pouring workshops at the studio, and being inspired, I decided to have a bit of fun at home. So I watched a few YouTube vids and plunged in!

I used coconut milk as my additive to achieve cells on all of last nights paintings, and I am going to use nail polish remover in the next batch, which I am hoping to tackle tonight. I didn’t pour my canvases over a try, but instead lay grease proof paper over newspaper. This is so that when the excess that poured off the canvases dry I can peel them off as acrylic skins. I then want to cut them into shapes and mount them in glass dome cabochons to make jewellery. So stay tuned for that blog post 🙂

Below I will explain my process for each painting … so read on!

Dawn Whitehand acrylic pouring

This was the first painting I did, I applied the paint by layering the colours in a funnel allowing for more control of application, however I didn’t pour enough paint for it to be fluid enough. The paint was also a bit too thick, and perhaps I didn’t add enough coconut milk. So I had to spread the paint manually which blended the colours together a bit too much and no cells developed. So I decided to try a technique I saw on YouTube called the String Pull Technique, and I think it worked out quite well. After pouring the canvas a piece of string is coated with paint laid on the wet canvas in a shape – for me it was a squiggle – and then pulled off the canvas in a downward motion. I did it with white first, then black and then two with glitter gold. I then pulled a craft stick through some of the wet paint to create different effects. Here’s a vid of what I did (its quite big so keep scrolling down for more info):

Dawn Whitehand acrylic pouring

The second painting I quite like and I created it using a dirty pour. This is when you layer the paints in a cup and then turn the cup onto the canvas and leave it to run to the bottom of the cup. Although I thinned the paint down a little it still wasn’t quite enough and I think I still needed a little more coconut milk. Although there are a few nice cells and quite a few really small ones I do like the colours and the way the overall composition turned out.

Here’s a vid of the dirty pour (again it is big, so keep scrolling):

Dawn Whitehand acrylic pouring

The next painting had much better cell development. I thinned the paint down much more and added more coconut milk. Again it was created with a dirty pour.

Dawn Whitehand fluid art

And the final painting had even better cell development – not quite enough, but better. It was also created using a dirty pour. I do like the middle swirls too. It looks a bit galaxy like.

I enjoyed the process and liked how it is very similar to slip marbling and feathering on pottery. This has set my mind racing to try the string pull on a plate!

And now I am off to do some more playing!

Sunday Studio Visit – exploring new jewellery making techniques

Readers may know I have been a bit absent from this blog lately, as per my last BLOG POST, so I haven’t offered a Sunday studio visit for a while.

Readers may also know that I love sustainability, recycling and upcycling, as illustrated by lots of past jewellery POSTS, and of course the PRESERVING frenzy I go into during the growing season! So with the recent giant iceberg break away from the ice shelf in Antarctica, and all the other crazy occurrences in the world at the moment, my mind has been drawn toward new ways of using synthetic products our society has created and can’t be recycled – such as CDs which are now largely obsolete!

I don’t know about you but I have hundreds of CDs…. from kids games, to movies to data storage, and I have never thrown them out because i just couldn’t bring myself to adding to the city dump!!

So, after a bit of research and refinement I have made a few jewellery pieces using cut up CDs with the addition – in some – of acrylic paints.

I will be making more of these pendants soon as I have heaps of CDs and enjoy the process, so the next time I do some making I will take some process shots for a tutorial.

In the meantime I have actually listed my first piece in my ETSY shop! Happy weekend and see you next time 🙂

DeeDeeDeesigns white handmade necklace

Come See What I Have Been Up To In The Studio!

It has been a while since I published anything – sorry about the absence, but things have been a bit hectic!!

Ceramics wise I have been busy with custom orders in my ETSY shop and also for a local restaurant.

Dawn Whitehand Handmade Ceramics

Fresh from the Kiln

I have also been experimenting with some new jewellery making techniques – which I will post about in the near future – and I have also been building up my new jewellery and craft supplies shop on ETSY

But for the purposes of this post I will stick to ceramics and i will let the pictures tell the story!

See you soon 🙂

Sunday Studio Visit – Mothers day

Today is Mothers Day and my mum, sister and son are visiting – so I am not doing anything in the studio today. My other sister is away on holidays in Western Australia, and my other son in the midst of travelling around Australia in a caravan! So it the three of us – plus hubby!

So I will share with you what I would’ve done today, but did yesterday instead, because I knew I couldn’t do it today – wow, how complicated!

You may remember from my last post that I threw lots of bowls, earrings holders, yarn bowls and oil burners a few days ago. So today (yesterday) I turned and carved everything ready for drying, bisque firing and then glazing. I am quite happy with how everything turned out – and even experimented with a prototype for a light/lamp shade.

One of the freshly turned yarn bowls is already SOLD after sharing the image below on my INSTAGRAM account – so get in fast!!

Here is a gallery of the finished freshly turned pieces…. looking forward to seeing how they turn out after gazing!

 

 

Busy Afternoon in the Studio!

Phew – it has been a busy afternoon making in the studio!

A combination of being ‘sold out’ and custom orders in my ETSY shop meant I was making yarn bowls, oil burners, earring holders and tapas bowls. It is Autumn here at the moment (though it feels like Winter), so these creations will be ready for turning and cutting on Wednesday afternoon – I think!

The yarn bowls need the needle holes and yarn spiral cut out; the earring holders need the earwire holes cut; and the oil burner need the candle hole and oxygen holes cut out.

This is a delicate operation as applying too much pressure while cutting can cause warping after glaze firing – clay has a memory, which means that the clay particles remember how they have been aligned and stretched! Clay is a living being!!

I also made a set of tapas/dipping bowls for a local restaurant. Yesterday I delivered a set of coffee/soup cup and saucers to this restaurant, and they placed another order – yay me!!

Well, that’s a wrap for today! I’m a bit tired!! See you next time 🙂

 

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