April is National Poetry Month where poets from around the world write a poem a day and post it somewhere on social media – Facebook, Twitter, WordPress, Instagram, Tumbler, the choices are endless (although one could participate as a personal challenge and not share on social media, of course). The idea behind social media, though, is to network and connect, and also read some of the great work of others working in this literary space.
As regular readers may know I also have a Poetry & Drawing blog. It began as a poem and drawing a day blog, and after one year of posting I scaled it back to posting weekly. But in April I try to write daily for the National Poetry Month.
So far I have been successful in posting daily (despite extending my studio, which will be the subject of this weeks Sunday Studio Visit, so stay tuned)!
My poems are always accompanied by an original drawing by me inspired by the poem. The drawings range from abstract art to realism to digital art. I will leave you with a small gallery of drawings, and to read the poems that accompany them check out my Poetry Blog 🙂
Today in the studio I am creating a new sculpture. It’s been a while since I created new sculpture – not sure why, it seems so many other things get in the way!
So why am I creating a new sculpture – some motivation, I guess!! Recently I was invited to create a work for a micro exhibition for the Lorne Sculpture Biennale in response to the bushfires that occurred on Christmas Day in the Wye River area. The brief was positivity and regeneration.
I was really pleased to be asked, as only a month before I had experienced a large scale bushfire near my home where some close friends had been affected, but thankfully had kept their house and business, though unfortunately many other homes were lost! And three years ago the mount I live at the base of had been on fire. So, in a way, making a sculpture for the Wye River bushfire also allowed me to communicate the emotions I had felt in response to the other two fires.
So with these thoughts in my head as a starting point I started out in the studio with a pre conceived concept, but – of course – ended up with something completely different.
Now, this above thought is not be taken lightly, and I am intending to write a post about this in the future Why was I able to change my concept/design on the run? I believe the arts cultivates dynamic thinking which can drive innovation and be flexible upon need…. this is why STEM needs to be STEAM in our education system (*see below).
But back to my sculpture… I am not going to post a completed picture of the work, that will come at the opening or after, however, I will post some progress pics from the studio today …. cheers 🙂
*STEM = Science, Technology, Engineering, Mathematics
*STEAM = Science, Technology, Engineering, ARTS, Mathematics
Regular readers will know one of my ceramic sculptures was recently accepted into the biennial Manningham Victorian Ceramic Art Award, an award that has become a fixture on the ceramic awards calendar in recent years, The award is open to all Victorian artists, and spans functional ceramics through to sculptural and conceptual works, as long as the main medium used is clay.
The exhibition opening was held on Wednesday evening at the Mannigham Art Gallery in Doncaster, so now I can reveal my sculpture and give you a bit of information about the conceptual underpinnings of the piece.
So what is this artwork actually about?
I’m glad you asked…here’s my Artist Statement:
Much of the artwork I create addresses environmental issues, sustainability and the need for humanity to reconnect to the Earth and realise their symbiotic relationship with the landscape.
Landscape 1 is the first in a series of sculptural artworks that capture this ethic in both the making process and the finished form.
The sculpture was press moulded in two halves using the polystyrene end packaging of a radiator heater. Polystyrene is especially bad for the environment in its manufacturing process and in that it doesn’t break down and so remains a permanent waste product.
With some creative thinking, however, this material can be used to model artworks or can be turned into artworks itself.
The surface of Landscape 1 is achieved through pit firing, a method of firing ceramics in the ground using organic materials to achieve the mottled coloured surface. When pit firing I only use materials which are found on the ground – old branches, sticks, pine cones, cow dung and leaves.
Given the fragile state of the future environment this method of firing is also a sustainable way of finishing sculptural and decorative ceramics
The exhibition runs until the 29th August and there are some fantastic ceramic artworks to see, and buy, from over fifty Victorian artists, emerging through to established. So if you are in or near the area it is definitely worth a visit.
Below are some images from opening night….enjoy 🙂
Today in the studio I am finally catching up on polishing the ceramic sculpture I fired last weekend in the pit firing, which was the subject of last Sunday’s studio visit.
The piece in the middle of the picture is the sculpture I have had accepted into the Manningham Ceramic Awards which i have to send off tomorrow, and the other two sculptures i need to photograph as proposals for anther two upcoming art awards – fingers crossed.
That’s about it for today in the studio…. yesterday my son & his girlfriend visited, and we had a bit of a late night watching movies and chatting, so it was a bit of a late start to the day!
Hopefully I will be organised for more updates mid-week 🙂
Oh Dear…. a few days late again!!
Sunday was a bit of a busy day….. we visited friends on Sunday afternoon for a low key housewarming party, and didn’t get home till quite late!
The day before, Saturday, I did a pit firing to complete a few pieces I am thinking of entering into some upcoming ceramic awards, and had grand plans of unloading the pit on Sunday and writing my Studio visit blog post – but all I got in before we had to leave for the housewarming was a sneak peek, which I dutifully shared on Instagram.
Then yesterday, Monday, I had to go to Melbourne for a catch up dinner with my mum and my two adult sons, and in the process i just get around to getting anything much else done!!
So today, Tuesday, I am writing the blog post I wanted to share on Sunday – sorry for the delay!!
The artworks I had in the pit include a piece already accepted into the Manningham Ceramics Award, and two other pieces I am planning to enter into other awards whose deadlines are looming.
My pit is quite large, and I alter its size, depending on how much work I have to fire, with fire bricks. In this firing I also packed some smaller pieces (which make up one artwork) within sawdust in tin saggars as I wanted to get as much smoking/black firing as possible.
The colour responses I attained from the pit are not the best I have ever achieved, but the nature of pit firing is the lack of control and the random nature of the fire based on so many variables, such as the temperature, the season, the wood used, the clay used, the condition of the pit (where I live I can only do pit firings in Winter due to fire restrictions, and it can be really wet cold where I live) and other combustibles introduced to the pit.
Overall, however, I am happy with the results – it is the nature of ceramics that one must be happy with what the kiln gods delver, otherwise you would go insane!! (well i would anyways)
Following is a short photo essay of the procedure I took for the day, but also check out the book I have written about pit firing (yes, unabashed self promotion!) available on Amazon and other online bookstores, plus some brick & mortar stores.
Today I was not actually in the studio, I was participating in the Golden Plains Arts Trail, purely by chance.
I was in a group exhibition a few years ago for the Arts Trail, but this year decided not to join in, but then a friend who was opening her studio for the weekend event had a last minute commitment elsewhere on the Sunday so needed someone to babysit – and that was me! So I took along some sculpture to display in her garden.
This friend is Julie Collins, who, in collaboration with her husband, makes fantastic large scale sculptures which you can see on their website.
The Arts Trail is an annual event held in the Golden Plains Shire in Central Victoria which showcases local artists who participate by opening their studios to the public or by staging solo or group exhibitions at various venues throughout the shire. Members of the public obtain a map of all the locations from places such as tourist information centres or galleries, and visit artists over a weekend…. it is a great success and many people specifically come to the region especially for the event.
The sculptures I displayed for the day are all ceramic and are wheelthrown and manipulated while still soft to form organic shapes. The pieces are finished in textured glazes that highlight the natural forms….. here are some pictures 🙂 Have a great day!
What is NaPoWriMo you may ask?
National Poetry Writing Month… and that month happens to be April, which is this month!
So, over on my other blog I have been busily writing a poem every day – but of course because my blog is about poetry and drawing, I have also been creating a drawing everyday – pastels, wax, digital, charcoal, whatever strikes me at the time.
April is quickly coming to a close, and while it can be difficult to produce a poem and drawing everyday, what will I do without this new routine?
Readers of my poetry blog will know I went though this conundrum when I changed from writing a poem and drawing every day to once a week – which I did after blogging every day for twelve months.
It was during this first twelve months that I participated in my first NaPoWriMo challenge – I was writing every day anyway, so why not participate?
And much to my surprise at the end of the month I was listed in WordPress’s top 5 poetry sites for NaPoWriMo 2013!! An amazing feat considering the number of poetry bloggers out there in the cybersphere!
Anyway, back to the point…. I am participating again this year, after being used to only writing and drawing once a week, so it has been a bit more of a challenge to get the ‘routine’ happening, and no sooner have I perfected it (?) than the challenge is over
For those readers that have not yet checked out my poetry blog, here it is: http://apoemandadrawingaday.wordpress.com/
Or, if you would just like to look at some drawings that accompany the poems here is a small gallery of images… more are on the poetry blog… enjoy 🙂
In the meantime the following images are of the sculptures that emerged from the pit firing – I am very happy with the results of the project, and the colour responses achieved in the firing.
Some of the works did sell on the day of unloading the pit, and the remaining works are now available for sale online – this means no gallery fees or commissions – so grab a collectable piece of sculpture direct from the artist.
All pieces are wheelthrown and manipulated while still wet, burnished and after firing sealed with a clear wax product – in this case neutral shoe polish.
Feel free to message me for further information such as dimensions, postage , etc….
Click on the individual images below to view a larger image.
Each piece is individually signed by myself.
You can express your interest by commenting below or messaging me by my Facebook page :
Some of you may know that recently I have been making handmade paper and experimenting with adding lots of different inclusions to the basic paper pulp. I have been really happy with the results I’ve been achieving, and have had good responses from people to whom I have shown the completed papers. So when, a few months ago, an invitation for Expressions of Interest was put out for a local public art gallery where I live I submitted a proposal based on my handmade papers. The exhibition space is made up of several wall mounted perspex boxes, which I thought perfect to display the papers.
The gallery is in a laneway in Ballarat, and is part of council’s public art program. The laneway walls are fitted with the boxes which are locked and lit for 24/7 display – a great way to enliven otherwise dank laneways.
I was lucky enough to be successful in my proposal, and the exhibition was installed and opened on 7th November. This being a reasonably new medium for me I was really happy with the way the exhibition looked, and even sold a work on opening night! Hopefully that is an omen for the remainder of the exhibition.
Even though this is a new medium it does tie in with the underlying environmental and organic themes of most of my work – so I am excited to be exploring a new way to communicate these ideas to a potentially wider audience.
The photos for this post were difficult to take given the narrowness of the laneway and the reflective surface of the perspex. So when the works are uninstalled – in six weeks – time, I will rephotograph the works when the perspex is removed, and put them in a new blog post.
So without further ado, here are some images of the installation of the show and the finished exhibition 🙂
Are you a Pinterest pinner? Iam!
I think I began pinning about a year ago, or maybe a little more, and began pretty obsessively – as is my want, or does that just happen to everyone when a ‘new’ social media app is introduced!?
These days (coz I am so mature now) I try to pin on a more balanced regular basis- which is good for my sanity and my physical health. (I won’t introduce trying to keep up with my WordPress reader here – LOL)
Anyways…this afternoon I decided to ‘look’ at the collections on some of my boards – and I must say I was (surprisingly) impressed!
As some regular readers may know I love abstract art, this being the main genre I use to illustrate the poems on my ‘other’ blog. And on visiting my Abstract Art board on Pinterest I loved it! It was surprising because, as users of this social platform will know, you tend to to pin randomly and in isolation, so in hindsight I wondered about cohesion – but upon looking at the collection I was really loving all the work I pinned.
Another board I am loving is my Functional Ceramics Board. Again posted in isolation, they form a quirky cohesive body of contemporary innovative ceramic work. Pins range from Barry Stedman‘s use of the ceramic surface for abstract expression through to organic porcelain lightshades.
So, I could keep going on forever about my 68 boards of ‘arty’ fun! But you would become bored with reading that much info… so you should just go look at all the pretty pictures I have collected!!